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Early blues was commonly structured around a repetitive call-and-response pattern, a common element in the African American oral tradition.A form of folk music which rose in part from work songs and field hollers of rural Blacks, early blues was also highly improvisational.These features are fundamental to the nature of jazz.Berendt defines jazz as a "form of art music which originated in the United States through the confrontation of blacks with European music"; he argues that jazz differs from European music in that jazz has a "special relationship to time, defined as 'swing' ", "a spontaneit and vitality of musical production in which improvisation plays a role"; and "sonority and manner of phrasing which mirror the individuality of the performing jazz musician".Travis Jackson has also proposed a broader definition of jazz which is able to encompass all of the radically different eras: he states that it is music that includes qualities such as “ 'swinging', improvising, group interaction, developing an 'individual voice', and being 'open' to different musical possibilities”.Krin Gabbard claims that “jazz is a construct” or category that, while artificial, still is useful to designate “a number of musics with enough in common part of a coherent tradition”.
From its early development until the present, jazz has also incorporated music from 19th and 20th century American popular music.
The word jazz began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915.
Jazz has, from its early 20th century inception, spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz from the 1950s and 1960s, jazz-rock fusion from the 1970s and late 1980s developments such as acid jazz, which blended jazz influences into funk and hip-hop.
Double bassist Reggie Workman, tenor saxophone player Pharoah Sanders, and drummer Idris Muhammad performing in 1978 Jazz can be hard to define because it spans from Ragtime waltzes to 2000s-era fusion.
While many attempts have been made define jazz from points of view outside jazz, such as using European music history or African music, jazz critic Joachim Berendt argues that all such attempts are unsatisfactory.
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One way to get around the definitional problems is to define the term “jazz” more broadly.